I paint from preprared sketches on aluminum or wooden framed cotton canvas using many kind of brushes and two kind of acrylic paint: UV reactive (fluorescent) and non UV reactive.

The first two layers are 100% non UV reactive paint whereas onward layers consist in a fluo glazing, a mix of thinned UV and non UV paint allowing color's shade and brightness to be adjusted.

Direct 365/368nm UV lightning in addition to indirect white lightning are necessary to create perfect working and shooting conditions. Snapshots opposite are taken with a Panasonic DMC-GX80 with 35mm lens in RAW format. No filter applied.

< How it's made

I paint from preprared sketches on aluminum or wooden framed cotton canvas using many kind of brushes and two kind of acrylic paint: UV reactive (fluorescent) and non UV reactive.

The first two layers are 100% non UV reactive paint whereas onward layers consist in a fluo glazing, a mix of thinned UV and non UV paint allowing color's shade and brightness to be adjusted.

Direct 365/368nm UV lightning in addition to indirect white lightning are necessary to create perfect working and shooting conditions. Snapshots opposite are taken with a Panasonic DMC-GX80 with 35mm lens in RAW format. No filter applied.